Download the arohana and avarohana of this ragam :
Derived from :
Raagas derived :
Song(s) in Thodi ragam:
Koluvamaregada-thodi-MalladiBros.mp3 ===>Lyrics
Thodi is one of the most popular ragams in Carnatic Music. The ragam is classified as the Raganga ragam of the Hanumathodi scale (Melam 8 - equivalent of Bhairavi That of Hindustanimusic)। The notes used are (Carnatic) Suddha Rishabham, Sadharana Gandharam, SuddhaMadhyamam, Panchamam, Suddha Dhaivatham and Kaisiki Nishadham (except Madhyamam all areKomal notes in Hindustani system). However, it is one of the ragams where the bhavam (mood)cannot be established by the mere notes but by the manner in which they are sung, especially thegamakams associated with the notes. In fact singing the notes in their own positions withoutgamakam would convey a mood nearer to Sindhubhairavi or the Hndustani Bhairavi than CarnaticThodi This ragam is characterised by the fluidity of movements giving much scope for individualisation in alapana
Derived from :
Raagas derived :
Song(s) in Thodi ragam:
Koluvamaregada-thodi-MalladiBros.mp3 ===>Lyrics
Thodi is one of the most popular ragams in Carnatic Music. The ragam is classified as the Raganga ragam of the Hanumathodi scale (Melam 8 - equivalent of Bhairavi That of Hindustanimusic)। The notes used are (Carnatic) Suddha Rishabham, Sadharana Gandharam, SuddhaMadhyamam, Panchamam, Suddha Dhaivatham and Kaisiki Nishadham (except Madhyamam all areKomal notes in Hindustani system). However, it is one of the ragams where the bhavam (mood)cannot be established by the mere notes but by the manner in which they are sung, especially thegamakams associated with the notes. In fact singing the notes in their own positions withoutgamakam would convey a mood nearer to Sindhubhairavi or the Hndustani Bhairavi than CarnaticThodi This ragam is characterised by the fluidity of movements giving much scope for individualisation in alapana
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